300 mm x 375 mm. 3 0 c m. 40cm. 'A Harlot's Progress', the story of a girl arriving in London and being led into prostitution, was the first of Hogarth’s printed series. William Hogarth (1697 - 1764) Date. Certificate of authenticity. This original engraving is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. A Harlot's Progress, 1732: A series of six paintings, this was the first collection of engravings Hogarth produced. Sold. William Hogarth (1697 - 1764) RA Collection: Art Title. A Harlot's Progress, Plate 2 Date 1732 Medium Engraving Credit Line Gift of Dr. Robert P. Coggins Dimensions 18 5/8 x 24 7/16 in. A scene from Hogarth's 'A Harlot's Progress'. Download this artwork (provided by The Metropolitan Museum of Art). Buy online, view images and see past prices for William Hogarth: A Harlot's Progress, Plate 2. It lives at the The British Museum in London. Paintings. Six prints, forming the set A Harlots Progress. Though the series was sold by subscription, the method of marketing was new and ingenious. William Hogarth, A Harlot’s Progress, plate 1, 1732, etching with engraving on paper, 31.4 x 38 cm. 18 9/10 × 25 1/5 in. Eames Fine Art. William Hogarth’s A Harlot’s Progress charts the unfortunate fall of the likeable Moll Hackabout from pretty young ingénue to prostitute after her arrival in London. William Hogarth, The Harlot's Progress 1733. It appeared in April 1732. In the second plate of this Hogarth satire, the Harlot, Mary Hackabout has become the mistress of a wealthy Jew. Plate two from William Hogarth's set of eight engravings A Rake's Progress. A Harlot's Progress, Plate 2 William Hogarth before April 1732. A Harlot's Progress, plate 2. Wright of Derby, A Philosopher Lecturing on the Orrery. London. 15 1/2 x 12 1/2 inches . Marriage A-la-Mode is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. A Harlot's Progress, Plate 1 Date 1732 Medium Engraving Credit Line Gift of Dr. Robert P. Coggins Dimensions 18 5/8 x 24 1/8 in. Place of Publication London Dimensions. Hogarth in Context: The Political, Social, and Biblical Allusions in A Harlot's Progress William Hogarth’s A Harlot’s Progress (1732) is a series of six engravings that follow a young woman, Moll Hackabout, and her decline as she is pulled into a life of prostitution after arriving in London from the country. Learn more about this artwork. A Harlot's Progress, plate 2, 1732. Description. actual image size: 27cm x 22cm. Self Portrait 1735. Object type. Collection. Intro. Full image caption. 25 1/4 inches x 19 1/4 inches Plate size: approx. A Harlot's Progress: Plate 2 Warning: It looks like JavaScript is currently disabled. A Rake's Progress: Plate 2 (The young aristocrat, Tom Rakewell has set himself up in fine furnishings) was both designed and engraved by William Hogarth. Thomas Gainsborough, Mr. and Mrs. Andrews. "Quarrels with her Jew Protector," engraved by S. Davenport. We are committed to addressing these issues, and to review and update our records accordingly. Title: A Harlot's Progress, Plate 2; Creator: William Hogarth; Hogarth trained as a silver engraver and was practicing as an engraver by 1720. Hogarth, A Rake's Progress. William Hogarth (British, 1697 - 1764): A Harlot's Progress, Plate 2, Etching and Engraving on wove paper, Engraved by T. Cooh London, Published by G. G. frj. This is the first of six plates from William Hogarth's engraved series A Harlot's Progress.One of Hogarth's best known morality tales, it illustrates the story of Moll Hackabout, a girl from the countryside who travels to London to visit her cousin but is quickly swallowed up in a world of prostitution. ‘A Harlot's Progress, plate 2’ was created by William Hogarth in Rococo style. William Hogarth (1697-1764). A Harlot's Progress Plate 1 is an Engraving Print created by William Hogarth in 1732. A Harlot's Progress: plate 6, Location Not on display Further information. They show the disastrous results of an ill-considered marriage for money or social status, and satirises patronage and aesthetics. She dies aged just 23. Note: For this 1822 edition the two engravings were printed upon one large sheet of wove paper. Artist/printmaker. Condition: Very Good to Excellent—very clean, minor edge/corner wear and/or handling. Invaluable is the world's largest marketplace for art, antiques, and collectibles. A Harlot's Progress. They were so successful that he followed them up with A Rake's Progress in 1935. A Harlot's Progress, plate 2 of 6 Home / Museum / Search ARC Museum / William Hogarth (1697-1764) View. Title: A Harlot's Progress, Plate 2; Creator: William Hogarth; This is a non-editioned multiple. In this study, two of William Hogarth's graphic series, "A Harlot's Progress" and "A Rake's Progress," are examined in detail. Explore this item in our Flash timeline . An original copperplate engraving, over 190 years old. More Hogarth Engraving Artwork. A Harlot's Progress: plate 2, Location Not on display Further information. Print. Eames Fine Art. Many vulnerable young girls were forced into prostitution through their failure to secure work, or were otherwise tricked into the occupation by the promise of respectable employment. The first of Hogarth’s ‘modern moral subjects,’ A Harlot’s Progress is a series of six paintings and engravings created in the early 1730s, during which a crackdown – mostly spearheaded by a zealous judge named Justice John Gonson – on prostitution was rolled out. A Harlot's Progress, Plate 2 William Hogarth April 1732. The first example of these prints, which Hogarth himself termed ‘modern moral subjects’, was A Harlot’s Progress. The series had 1,240 subscribers and was so popular that pirated versions were quickly issued. The image is in the Public Domain, and tagged Women, Allegory and Print. 48 × 64 cm. Details. Buy a print. Hogarth trained as a silver engraver and was practicing as an engraver by 1720. Moll finally dies at the age of 23, on 2 September 1731, and her wake is attended mainly by fellow prostitutes. Engraving. Source: Complete Works, facing p. 108.Scanned image and text by Philip V. Allingham. From National Gallery of Art, Washington, D.C., William Hogarth, A Harlot's Progress: pl.2 (1732), Etching and engraving The Metropolitan Museum of Art New York City, United States. Analysis of Beauty: Plate 2 1753. Plate two, from A Harlot’s Progress Date: 1732, reworked/reissued 1744. Contact gallery. This is the currently selected item. After studying in Vanderbank's and Thornhill's Academies, he became active as a painter c.1728; in 1735 he … In this series, we meet the fresh faced Moll Hackabout as she arrives for the first time in London. The six prints telling the cautionary story of Moll Hackabout, a harlot, were published in April 1732, the first of Hogarth’s ‘Modern Moral Subjects’. After studying in Vanderbank's and Thornhill's Academies, he became active as a painter c.1728; in 1735 he … Plate 1; Paulson #211, Third and Final State. You can write to us to suggest improvements to the record. These prints show the life of a young woman from the country who comes to London and eventually becomes a common prostitute. Find more prominent pieces of genre painting at Wikiart.org – best visual art database. Eighteenth-century satirical artist William Hogarth figures centrally in Guyanese writer David Dabydeen’s ekphrastic postcolonial fiction. Analysis of Beauty: Plate 1 1753. The Harlot's Progress, Plate II. Learn more about this artwork. Hudibras Sallies Forth Industry and Idleness John Wilkes Esq. Plate 2; Paulson #212, Fourth and Final State. This work includes a certificate of authenticity. Download this artwork (provided by The Metropolitan Museum of Art). A Harlot's Progress Plate 4 Invented, Painted and Engraved by William Hogarth (Heath edition, 1822) Sheet size: approx. 1732. William Hogarth (1697–1764), A Harlot’s Progress: 6 The Funeral (engraving 1732 after painting c 1731), engraving, 31.3 x 38.2 cm, British Museum, London. Details. The Lottery The South Sea Scheme. A Harlot's Progress The Rake's Progess Four Times a Day Marriage A-la Mode Industry and Idleness The Four Stages of Cruelty Hogarth's London When Hogarth embarked on his second Progress in 1733, ‘the rake’ was a long established symbol of masculine waywardness and depravity. Wikimedia Commons. [This image may be used without prior permission for any scholarly or educational purpose.] Please be aware that some features of this website will not work as intended. Plate from 'The Harlot's Progress' by William Hogarth. About the work. Image Details 505 x 650 pixels. In particular, Dabydeen’s novels A Harlot’s Progress and Johnson’s Dictionary invoke plate 2 of Hogarth’s 1732 series A Harlot’s Progress, which depicts the encounter of a cuckolded Jewish merchant, his mistress, and a turbaned slave boy. Share. A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth.The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives … Source: Heath Edition, London (The Times) Size: Hogarth intended the pictures to stand without accompanying text. Login to download. First appearing as a series of paintings, it was then reproduced as engraved prints. Reference: Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973, plates 96 & 97. A Harlot's Progress - Plate 2: 1732 William Hogarth. Artist: William Hogarth English, 1697-1764 A Harlot's Progress, Plate 2, 1732. William Hogarth, Marriage A-la-Mode (including Tête à Tête) Practice: Hogarth, Marriage a la Mode. The Metropolitan Museum of Art New York City, United States. ... practice and analysis. Physical Description: General Description: A Harlots Progress, Plate 6 (R.P.126,RD.P.126, 1st state). 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