The nymph Callisto had vowed chastity to Diana, Goddess of Hunting. Diana and Callisto, François Le Moyne (France, Paris, 1688-1737), France, 1725-1728, Paintings, Oil on canvas. Flemish School, 18th Century Diana and Callisto oil on canvas, unframed 28 x 38½ in. Diana and Callisto Details. Diana and her followers have left the chase to cool their bodies in a stream. She became pregnant and when this was eventually discovered, she was expelled from Artemis's group, after which a furious Hera, the wife of Zeus, transformed her into a bear. [10] Artemis Kalliste was worshiped in Athens in a shrine which lay outside the Dipylon gate, by the side of the road to the Academy. Carlo Ridolfi said there was a version by Giorgione, who died in 1510, though his many attributions to Giorgione of paintings that are now lost are treated with suspicion by scholars. Italy, 16th century. Tol. Diana and Callisto is a painting completed between 1556 and 1559 by the Venetian artist Titian. Diana and Callisto c. 1710 Oil on copper, 35 x 45 cm Private collection: The mythological subject of this painting is taken from Ovid's Metamorphoses. In the center of the composition, two young people share the leading role in …   Deity. The pictures were substan-tially finished in 1559, the date of a letter from the painter to the king, asking for instructions about their transportation (though evidence survives showing that … They undressed to bathe, all that is except for Callisto, who was then stripped off her garment to reveal her swollen belly, and immediately banished from Diana s company. Ir a la navegación Ir a la búsqueda. National Galleries of Scotland, Edinburgh National Gallery, London. Titian made a greater impact on European painting than any other artist from Venice. Please reach out to the Bids Department for further information at +44 20 7293 5283 or bids.london@sothebys.com. Rubens represents the most dramatic moment of the story: As Diana and her nymphs prepare to take a bath Callisto reveals her pregnancy. Diana and Callisto, François Le Moyne (France, Paris, 1688-1737), France, 1725-1728, Paintings, Oil on canvas. The stars of Ursa Major were all circumpolar in Athens of 400 BCE, and all but the stars in the Great Bear's left foot were circumpolar in Ovid's Rome, in the first century CE. SC003728), International Women's Day with Arpita Shah, 100 Masterpieces National Galleries of Scotland Collection (paperback). Thursday 05 April 2012 17:29. comments. Oil on copper. She was seduced by the lusty Jupiter who assumed the guise of the nymph’s mistress Diana in order to gain her confidence. Date. The powerful gestures and varied poses of Diana and her nymphs complement those in the composition of the companion painting Diana and Actaeon. [19] Here, as in most subsequent depictions, Diana points angrily, as Callisto is held by two nymphs, who may be pulling off what little clothing remains on her. Callisto was the favourite of Diana, staunch defender of chastity. Callisto being seduced by Zeus/Jupiter in disguise was also a popular subject, usually called "Jupiter and Callisto"; it was the clearest common subject with lesbian lovers from classical mythology. Diana and Callisto. Diana and Callisto, fresco in the Hall of the World upside down, 1574-1590, Della Corgna palace or Ducal palace Castiglione del Lago, Umbria. Special Notice. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. [11] W. S. Ferguson suggested[12] that Artemis Soteira and Artemis Kalliste were joined in a common cult administered by a single priest. The painting shows the moment when Diana confronts the pregnant nymph. Ovid, Diana and Callisto, other mythic themes. Although Ovid places the discovery in the ninth month of Callisto's pregnancy, in paintings she is generally shown with a rather modest bump for late pregnancy. Archivo; Historial del archivo; Usos del archivo; Uso global del archivo; Tamaño de esta previsualización: 691 × 599 píxeles. The painting was jointly purchased by the National Gallery and the National Galleries of Scotland for £45 million in March 2012. Michael Glover. Diana and Callisto, by Jan Breughel the Elder and Hencrick van Balen, c. 1605-1608, oil on copper - Blanton Museum of Art - Austin, Texas - DSC07792.jpg 4,771 × 3,299; 9.55 MB Claes Jacobsz. Artist: Possibly School of Nicolas Poussin French, 1594-1665. Callisto's story was sometimes depicted in classical art, where the moment of transformation into a bear was the most popular. By Boucher ( including two other drawings showing Diana at the bath ) 1556-59 ( 188cm x 206cm ) International! 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