What kind of past was buried at the bottom of trap? Abby's companion Thomas abducts a local teenager and drains their blood into a jug, only to accidentally spill all of its contents. Let Me In is the fourth song on Make Them Suffer’s second studio album Old Souls. Abby encourages him to retaliate, and pledges to protect him. Scared, Owen wants to leave, but he is stopped by Abby who won't answer his demands on letting him out. Let Me In (1,903) IMDb 7.1 1 h 55 min 2010 X-Ray R Owen, an overlooked and bullied boy, finds love and revenge through Abby (Chloë Grace Moretz of KICK-ASS), … In adapting the film, a few adjustments were made, such as changing the names of the protagonists to Owen and Abby,[22] and moving the setting from the Stockholm suburb of Blackeberg to "a small New Mexico town. Let me in, let me drown, yeah Feel me in, in to deep, oh Let me in, let. I read the book too and was completely taken with it and I was really intrigued how personal the story felt. Showing all 4 items Jump to: Summaries (3) Synopsis (1) Summaries. The film tells the story of a bullied 12-year-old boy who befriends and develops a romantic relationship with a female child vampire in Los Alamos, New Mexico, during the early 1980s. Bullied at school, neglected at home and incredibly lonely, 12-year-old Owen (Kodi Smit-McPhee) spends his days plotting revenge on his tormentors and spends his nights spying on other residents of the apartment complex. [23] In comparing his adaptation to the Swedish one, Reeves admitted to not adding many different details from the book that weren't in the original film, stating that "the story was so big that you couldn't really add a lot of stuff in without taking away the focus of the coming of age story so I tried to have allusions and references to stuff in the book." An overlooked and bullied young man finds love and revenge with a young woman whose powers of protection also include the fact that she’s a vampire. In March 1983, in Los Alamos, New Mexico, a disfigured man is taken to the hospital. Trapped, Thomas pours concentrated sulfuric acid on his face, rendering his features unrecognizable and bringing the story back to the first scene. A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. [23][30] Filming took place in several different New Mexico locations, before concluding in Albuquerque in January 2010. Moretz won several awards for her performance with critics praising the on-screen chemistry with her co-star, Smit-McPhee. [19] In response to the criticism he said, "I can understand because of people's love of the [original] film that there's this cynicism that I'll come in and trash it, when in fact I have nothing but respect for the film. But be aware that it also had a lot of blood and gore. Get a sneak peek of the new version of this page. On a later night, Thomas hides in the back of another car, but is discovered. I hope people give us a chance. Reeves stated, "The idea of Reagan's 'evil empire' speech and that whole sort of school of thought was that evil was something that was outside of us. That was important. "[58] Let Me In is the new standard for vampire movies. He steals money from his mother and buys candy and a pen knife which fuels his fantasy of defending himself at school. Good for older teens and above only. Masterpiece is an overused word, but it's hard to think of another so powerful. Life changes in an instant for young Mia Hall after a car accident puts her in a coma. "[28] Both Smit-McPhee and Moretz were cast before the release of The Road or Kick-Ass, and the films' directors John Hillcoat and Matthew Vaughn, respectively, each praised the young actors and recommended them to Reeves. Owen sneaks out to spend the night at Abby's. [16] Producer Donna Gigliotti said, "We're incredibly admiring of the original, but to be honest with you, that picture grossed $2 million. "[90] Later, he informed fans that he had in fact unwittingly sold the rights for the comic to be made, stating that the producers had misinformed him as to the nature of the contract he had signed. "[56], Lou Lumenick of The New York Post called Let Me In "the scariest, creepiest and most elegantly filmed horror movie I've seen in years—it positively drives a stake through the competition. Let Me In is a great American movie. Faden stated, "Normally in such a scene, the character would be shot on set, dressed in blood. [38] Giacchino stated that scoring the film was a difficult "balancing act" for some scenes. The classic creepy movie noises – screeching hinges, slamming doors, gasps of surprise and screams of pain – come across as pristine and new in this film, whose overall mood is also enhanced by its locale: the stark winter landscape of New Mexico and the courtyard of a sad, low rent apartment building.Reeves also gives much homage in this film to both John Ford and Clint Eastwood as well as Hitchcock. "[60] Roger Moore of the Orlando Sentinel gave the film 3.5 out of 4 stars, stating, "Reeves has Americanized a very good foreign film without defanging it. ", Let Me In was a critics' pick as one of the Top 10 Best Films of 2010 at CNN[67] and at MSN Entertainment for the 2010 Year in Review Special Features.[68]. Again. Like Owen, we are aware of the violence that Abbey represents but against our own good judgment, (and all that blood) we will feel ourselves liking her and rooting for a good (if not happy) ending. He befriends his twelve-year-old next door neighbor, Abby, who only appears during the night in the playground of their building. At school, a teenage bully named Kenny and two of his friends constantly terrorize Owen, who lies to his mother about it but tells Abby the truth. It is a remake of the 2008 Swedish film Let the Right One In. The film's producers stated that their intent was to keep the plot similar to the original, yet make it more accessible to a wider audience. But in this case, the timing of the bleeding was so dependent on the emotional beats of the scene that this technique wouldn't have allowed us enough control. Spielberg instructed Reeves to have the two leads each keep a diary in character with the intention of sharing with Reeves what they wrote in it. "[54] Acclaimed horror author Stephen King wrote "Let Me In is a genre-busting triumph. In comparing the two films, she opined that the remake "makes obvious all that the original film made subtle and does so with less complexity. "[47] Let Me In was included on Rotten Tomatoes list of the ten best reviewed wide-release films of 2010[48] in addition to being the best reviewed horror film of 2010. According to Hammer Films executive producer Nigel Sinclair, interest in the project initially began in the middle of 2007, before the original Let the Right One In had screened for audiences. That night, Owen is awakened by Abby, who insists he verbally invite her in. [50] According to Metacritic, Let Me In was one of the ten best-reviewed wide-release films of 2010[51] and the best reviewed film of the year in the horror category. [87], In April 2010, it was announced that Hammer Films and Dark Horse Comics were producing a four-issue comic book limited series based on the film. [8], The rights for the English-language film were later acquired by Hammer Films at the 2008 Tribeca Film Festival, where Let the Right One In won the "Founders Award for Best Narrative Feature," and Matt Reeves was quickly introduced as the director. Reeves made several changes for the English version such as altering the setting from Stockholm to New Mexico and renaming the lead characters. It was a weird balance because you're dealing with a dynamic that is quite questionable as far as what everyone's intentions are in the film. Charli D’amelio’s ’Let me in please’ I know it’s not a mashup but I find this clip so funny It's not a reimagining; the same beats [are there], maybe the scares are a little bit more scary. The two shots were then combined to deceive the viewer into believing that it was one complete shot. A strong supporting cast rounds out the film: Dylan Minnette (Saving Grace) plays the despicable school yard bully who is ultimately revealed to be a victim in his own family; Richard Jenkins (The Visitor, Burn After Reading) adroitly plays the tortured older man who many believe to be Abbey's father.Best for viewers who enjoy thrillers. Keesha discovers true love in unexpected circumstances, Isha must do everything she can to control her ... See full summary ». The film was placed on several critics' top ten list. "[20] When Reeves was initially approached, he at first was against the idea but after reading the novel gained a better appreciation for the story. I'm really excited about what it could be", he said. ", "Moriarty Sits Down With Tomas Alfredson, Director Of LET THE RIGHT ONE IN! The next day, Owen leaves town on a train, traveling with a large trunk. After viewing Bright Star, he hired Greig Fraser as his cinematographer because he admired Fraser's work with natural light on the film. [41] Overture Films released promotional items placed in small plastic evidence bags. Want to share IMDb's rating on your own site? Or should it be emotional? Jenkins' stunt double and a dummy were placed in the car as the rotisserie spun with additional effects work used to animate the dummy as the car rolled. Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a superhero, even though he has no powers, training or meaningful reason to do so. It is at once artful and unpretentious, more interested in intimacy and implication than in easy scares or slick effects. As of April 2011, DVD sales (not including Blu-ray) totaled over 457,000 units sold with over $6.2 million in revenue. Abby learns what happened and visits Thomas in the hospital, who lets her drink his blood before falling to his death. Evil was 'Other,' it was over there, it was the Soviets". "[17] Producer Simon Oakes made it clear that the plot of Let Me In would closely resemble that of the original film, except that it will be made "very accessible to a wider audience."[12]. Let Me In Lyrics: Oh, let me in / I want to be there / You shut your door / Now it ain't there / Without a word to me / Without a look at me / You turned me down without a care / Oh, let me in Let, Let Me In. Roger Ebert of the Chicago Sun-Times praised the film while comparing it to the original. A nun and her daughter are put into a difficult situation that leaves them trapped. [91], Let Me In: Original Motion Picture Soundtrack, National Board of Review of Motion Pictures Awards, "Exclusive: We Chat with Hammer Chief Simon Oakes about Christopher Lee's Return to Horror and the 'Let the Right One In' Remake! Interest in producing an English-language version of Let the Right One In began in 2007 shortly before it was released to audiences. All are wearing swimsuits. "[34], Method Studios was contracted to handle the film's visual effects work. But Let Me In puts the emotional pressure in different places and stands firmly on its own legs. A bullied young boy befriends a young female vampire who lives in secrecy with her guardian. "[36] Actress Chloë Grace Moretz was first shot with minimal prosthetic blood applied to her face for reference. Let the Right One In is a vampire story done right. Not just a horror film, but the best American horror film in the last 20 years. Enjoy the freedom to work remotely with the #1 most reliable remote desktop tool. To have not only one, but two excellent versions of my debut novel done for the screen feels unreal. Sort: Relevant Newest # eric andre # let me in # creepy # conan obrien # let me in # left out # pay attention to me # door # knock knock # let me in # the legend of sleepy hollow # brom bones Was there an unseen vampire? Meanwhile a police officer is investigating the murder cases, believing that it is a satanic cult. Let Me In is a 2010 American-British romantic horror film[6] written and directed by Matt Reeves and starring Kodi Smit-McPhee, Chloë Grace Moretz, Elias Koteas, and Richard Jenkins. But then he meets Eli, the strange and mysterious girl who just moved into the apartment next door, and the … [65], According to Sukhdev Sandhu of The Telegraph,[66] "Let Me In doesn't need to exist unless, that is, the very notion of Swedish cinema is strange and unpalatable to you ... What's missing is the alluring otherness of Let the Right One In. I said ... that we shouldn't remake it. Let Me In, a haunting and provocative thriller written and directed by filmmaker Matt Reeves, is based on the best-selling Swedish novel Let The Right One In. [49] Metacritic gave the film an average score of 79/100 based on 35 reviews, judged to be "generally favorable reviews". HMGNC. Seeing blood, Abby reveals her vampire form and flees, feeding on another neighbor. [25] Smit-McPhee, in an interview with The Herald Sun, hinted that he may have landed the role as Owen. Reeves felt that this idea was central to the main character Owen, as he "would be grappling with these very, very dark feelings but being in a kind of American town where there was that sort of [Reagan era] mindset and religiousness. How would you fit in? [7] The film tells the story of a bullied 12-year-old boy who befriends and develops a romantic relationship with a female child vampire in Los Alamos, New Mexico, during the early 1980s. Review aggregation website Rotten Tomatoes gives the film a score of 88% based on reviews from 220 critics, with an average score of 7.6/10. Based on the Swedish novel, Let the Right One In, “Let Me In is a dark and violent love story, a beautiful piece of cinema and a respectful rendering of my novel for … let me in 269 GIFs. [45] During the film's ten-week theatrical run, Let Me In grossed over $24 million worldwide, $12.1 million of which was from the United States and Canada. Meanwhile a police officer is investigating the murder cases, believing that it is a satanic cult. Let Me In "[63] Beth Accomando wrote, "How Reeves can take the credit 'written and directed by Matt Reeves' seems almost laughable when you note how similar the script and the direction are to the original." Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl. That film's brittle textures and haunted ambiance seemed in some strange way to have sprung organically from the nation in which it was set. [85] The disc includes an audio commentary with director Reeves, a 17-minute featurette on the making of the film, a short that focuses on the art of the special effects, an in-depth video about the process of making the film's unique car crash scene, three deleted scenes, trailer and poster galleries, and a digital copy of the film. A shy girl, outcasted by her peers and sheltered by her religious mother, unleashes telekinetic terror on her small town after being pushed too far at her senior prom. [44] The film's international release began on October 6 in European markets with other markets following thereafter. Well, color me blushing" and "Prepare to be wowed. He was not an ordinary mental patient, yet not a completely healthy person either. Several of the film's scenes proved to be a challenge for the team. He stated, "Reeves understands what made the first film so eerie and effective, and here the same things work again. A young man's life is thrown into a loop when he is asked to be a pallbearer for the funeral of a classmate he doesn't remember, and his old high school crush temporarily returns to town. I wrote Lindqvist and told him that it wasn't just that I was drawn to the story because it was a brilliant genre story—which it is—but also because of the personal aspect of it. The choice is hers if she can go on. How would you feel about yourself being confused and being 12 or 13 years old and not knowing what it means that you wish you could kill those kids who were terrorizing you every day? 2 teen boys begin harassing a young girl. I don't call it his remake or his re-imagining of it. Following Kick-Ass' heroics, other citizens are inspired to become masked crusaders. Moana Condominiums - 1100 Alvarado Drive SE, Albuquerque, New Mexico, USA. They untie her bathing suit top and try to pull it off. deep i'm into deep Won't you let me in, drowning in your glimpse Make love to me. There are notable similarities and the spirit of Tomas Alfredson is present. This remake, by contrast, smells of boardrooms and calculating machines. [14][15] "If one should remake a film, it's because the original is bad. Twelve-year-old Oskar is a bit of a social outcast at school, frequently targeted by a group of violent bullies. Chloë Grace Moretz stars as Abby, a mysterious 12-year-old girl, who moves next door to Owen. During an out-of-body experience, she must decide whether to wake up and live a life far different than she had imagined. It was released by Varèse Sarabande on October 12, 2010. "[59] Rolling Stone film critic Peter Travers, who was initially skeptical, gave the film a positive review while writing, "I thought for sure that any Hollywood remake of Tomas Alfredson's artful Swedish vampire film, Let the Right One In, would be a crass desecration. I think it could be a really touching, haunting and terrifying film. Use the HTML below. Many critics noted it as a rare Hollywood remake which stayed true to the original, while others criticized it for being too derivative of the Swedish film. You must be a registered user to use the IMDb rating plugin. [10] Tomas Alfredson, the director of the Swedish film, was initially asked to direct the remake, but he turned it down stating that "I am too old to make the same film twice and I have other stories that I want to tell. Reeves was then signed to direct and write the screenplay. [26] The casting of Moretz and Smit-McPhee in the leading roles was confirmed on October 1, 2009, along with the addition of Richard Jenkins as Abby's adult companion. She spends the night in his bed and agrees to be his girlfriend. Or should it be this? He mentioned, "I was always trying to say, 'let's take music out!' He used Ronald Reagan's "evil empire speech" as an example of American thought during that period. Reeves also admitted to borrowing elements from the Swedish film, stating "There are things that [Lindqvist] adapted brilliantly in the movie and I borrowed from that because I thought he did a great adaptation. Owen and Abby become close friends and start communicating by Morse code through the walls of their apartments. "[11] Hammer Films producer Simon Oakes initially referred to the film with "If you call it a faithful remake, I think that's true to say that's what it is. Like the Swedish movie it made me cry, but not at the same points. Billboard Hot 100 singles chart. De La Soul. It's a spellbinder. Let Me In is a dark and violent love story, a beautiful piece of cinema and a respectful rendering of my novel for which I am grateful. A group of friends venture deep into the streets of New York on a rescue mission during a rampaging monster attack. Directed by Matt Reeves. In composing the score, he stated that he also applied certain musical themes to each character for which the audience could respond to as the story progressed. Watch the video for Let Me In from The Osmonds's 21 Hits for free, and see the artwork, lyrics and similar artists. A remake of the movie “Let The Right One In” which was an adaptation of a book. Was this review helpful to you? A bullied young boy befriends a young female vampire who lives in secrecy with her guardian. He has stated on numerous occasions that he is not in favor of remaking his film. (Part 2). and Matt [Reeves] was like, 'no, put it in!'" "[21] The filmmakers have noted that "they intend to forge a unique identity for Let Me In, placing it firmly in an American context", while at the same time paying respect to the original. It really reminds me of my childhood. [35][36][37] Several plates were shot with the first involving actor Jenkins backing the car out of the gas station and swerving, the second plate shot had a model of the car capable of being spun mechanically on a "rotisserie" in front of a blue screen which could simulate the car's roll down the hill. In the morning, the detective forces his way into Abby's apartment and finds her asleep, only to be distracted by Owen. (This review won't spoil the ending for you other than to say it is both expected and unexpected.) "[55] Joe Morgenstern of The Wall Street Journal wrote that the film "is more than a respectful remake; 'Let Me In' is quietly stylish and thoroughly chilling in its own right. The next day, Owen's class goes ice skating on a river. The inherent suspense of this movie should have been diluted by the fact that the trailer and also the early available information on this film both reveal that the haunting and haunted young girl, Abbey, is a vampire. [29], Principal photography began in Albuquerque, New Mexico on November 2, 2009. [86] Both the DVD and Blu-ray come with a copy of the limited-edition Let Me In: Crossroads comic book. Who was the guy yelling at "the father" after he lost the blood? Ford and Eastwood for the carefully constructed shots that border on iconic: of figures in doorways, or shadows highlighted against the winter snow. 61 of 86 people found this review helpful. "[62] In a similar vein, Jamie S. Rich noted that while there was plenty of content in the original novel that the Swedish film omitted, "Reeves hasn't really ferreted out anything new; on the contrary, there is actually less plot in Let Me In than in the Alfredson version. I am looking into this matter and hope that they have no right to do this. The studio's supervisor Sean Faden, worked alongside the film's visual effects supervisor, Brad Parker throughout the production. Written by Later, Owen tries to make a blood pact with Abby. 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